![]() Unpause the CD when the “Jerry Perenchio and Bud Yorkin Present” credit comes up. Blade Runner and Wish You Were Here: This needs to be the director’s cut of the movie.Roger Waters has stated that he wished he could have done the score for 2001. Both the song and this section of the movie are approx 23 minutes long. 2001: A Space Odyssey and Meddle: Start the last track on Meddle (“Echoes”) the second the “Jupiter and Beyond the Infinite” title card appears near the end of the film.I can say that I have done Dark Side of the Rainbow and found it to be very, very cool.Īll of these assume that you have the album paused and ready to go. I cannot testify to the validity of these, but this really seems like an “ eye of the beholder” thing no matter what. While Dark Side of the Rainbow is certainly the most famous Pink Floyd synch, there are many others that can be found online. The fact that the synch holds up over the second and even third repeats should prove that it is unintentional, as it would be impossible to set up something like that on purpose with the technology at the time. I doubt that facilities like this existed outside of a major motion picture scoring studio at the time. They would have needed to get their hands on an actual film print of the movie and then rent out the necessary film and sound editing facilities in order to make the synch. The technology necessary for the band to synch up their music to an already existing piece of film and not have anyone find out simply did not exist back then. Kenata points out in his DSOTM w/u that the music for the album had been completed at least a year before it was released, putting the writing of the music around 1971. ![]() ![]() As for the whole question of whether Pink Floyd did this on purpose, there is simply no way they could have.
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